Dali was obsessed with the Atom Bomb. When it hit Hiroshima, he suddenly had a new way of looking at the world. His paradigm had changed. This universe was now an energetic one, composed of things he couldn’t see with the naked eye but that had incredible power to destroy or create. Protons and electrons have form and structure, he thought-but how do you depict them? This was what he would set out to do for decades to come-to visually represent the elements of quantum physics and the unseen forces of the universe. This hybrid of atomic-age thinking and his already-established religious traditions was what he would come to call, “nuclear mysticism.”
He entered artistic mediums that went beyond painting but one collection-his little-known line of jewelry-was a singular interpretation of his new approach to creating. He considered its role as part of a larger experiment in what he often referred to as his “mystical manifesto,” or his general artistic mission to show the spirituality of all substance. “My art encompasses physics, mathematics, architecture, nuclear science – the psycho-nuclear, the mystico-nuclear – and jewelry – not paint alone,” he wrote.
The language of Dali mysticism is esoteric but his jewels are such a tangible and impactful expression of the divine. Gemstones are an innate representation of energy and exquisite manifestation of sacred geometry-they are the perfect medium for him represent the quantum world.
He selected the stones with intention: rubies represented energy, sapphires tranquility and lapis and lazuli meant the subconscious mind. Some pieces were mechanical, like a diamond-encrusted flower whose petals opened and closed or a ruby brooch in the shape of a steadily pulsing heart. Common motifs through the collection are Greek mythology and Catholic iconography.
Each piece invites you to play and delight in his hallucinatory world and consider the potential for the mystical behind the everyday.