In color symbolism, gold is steeped in powerful associations and meanings. While silver stands for the hidden, subconscious energies of the moon, gold has solar qualities that support active, worldly power and drive. It’s extraverted and conscious. We wear gold to show wealth. It’s an intentional display of our wish to dominate. It’s not about private, personal power but about worldly.
So after so many years of doing self-work/consciousness work, I recently decided to get a gold tooth. It was time to let the world know I was ready to reveal the person that I had become. This was not an ego-driven exercise-this ornament was meant to signal to the universe that I was now relating my personal power to the outside world in a way that served mankind. To carve out a place in humanity. It was no longer about sitting at home alone with my meditations and books and mantras but finally applying those tools I had been accumulating to connecting with others.
A funny thing happened when I got it-I’ve entered an energy of attraction. People have started picking up what I’m putting out creatively and energetically. Without even really trying, I’m beginning to draw. My art has started selling. My professional/creative hero has started calling on me. Dreams are getting fulfilled. The tooth gets noticed, at least once a day, among both strangers and friends/acquaintances alike. There’s usually an element of surprise. Why would this relatively innocent-looking girl (I’m small, usually in braids) be making this sort of fashion statement? What is this fashion statement? People usually can’t figure it out but interest is peaked.
Of course it I can’t say for sure if my new tooth has attracting power or if it subconsciously causes me to behave as if it does. Maybe it gives me more confidence. But I like to think it supports my dreams and intentions with a little magic. And at the end of the day, that’s what we hope dress and adornment does. When worn with intention, it helps take us to where we want to go.
My dreamy necklace by Alexis Bitter. The tilted moon and school of fish are steeped in associations with the subconscious (The Book of Symbols refers to fish as “the unconscious psyche” and our “invisible nature”). The moon is so large it doubles as a breastplate- I can see maybe a High Priestess wearing this (also connected to the moon and subconscious) while the fish relate to the astrological sign of Pisces (that’s me!). And are those bones or something dangling from the bottom? Making it all the more witchy! I bought this second-hand and don’t know what would have hooked to the top. Maybe I will add my own magical charm someday.
Dali was obsessed with the Atom Bomb. When it hit Hiroshima, he suddenly had a new way of looking at the world. His paradigm had changed. This universe was now an energetic one, composed of things he couldn’t see with the naked eye but that had incredible power to destroy or create. Protons and electrons have form and structure, he thought-but how do you depict them? This was what he would set out to do for decades to come-to visually represent the elements of quantum physics and the unseen forces of the universe. This hybrid of atomic-age thinking and his already-established religious traditions was what he would come to call, “nuclear mysticism.”
He entered artistic mediums that went beyond painting but one collection-his little-known line of jewelry-was a singular interpretation of his new approach to creating. He considered its role as part of a larger experiment in what he often referred to as his “mystical manifesto,” or his general artistic mission to show the spirituality of all substance. “My art encompasses physics, mathematics, architecture, nuclear science – the psycho-nuclear, the mystico-nuclear – and jewelry – not paint alone,” he wrote.
The language of Dali mysticism is esoteric but his jewels are such a tangible and impactful expression of the divine. Gemstones are an innate representation of energy and exquisite manifestation of sacred geometry-they are the perfect medium for him represent the quantum world.
He selected the stones with intention: rubies represented energy, sapphires tranquility and lapis and lazuli meant the subconscious mind. Some pieces were mechanical, like a diamond-encrusted flower whose petals opened and closed or a ruby brooch in the shape of a steadily pulsing heart. Common motifs through the collection are Greek mythology and Catholic iconography.
Each piece invites you to play and delight in his hallucinatory world and consider the potential for the mystical behind the everyday.